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The work of London-based artist Mona Hatoum (b. 1952) addresses the growing unease of an ever-expanding world that is as technologically networked as it is fractured by war and exile. Best known for sculptures that transform domestic objects such as kitchen utensils or cribs into things strange and threatening, Hatoum conducts multilayered investigations of the body, politics, and gender that express a powerful and pervasive sense of precariousness. Her works are never simple and often elicit conflicting emotions, such as fascination and fear, desire and revulsion. This copiously illustrated presentation of Hatoum's oeuvre offers critical and art historical essays by Michelle White and Anna C. Chave and imaginative texts by Rebecca Solnit and Adania Shibli, which contextualize the artist's work and its relationship to surrealism, minimalism, feminism, and politics.
Art --- sculpture [visual works] --- installations [visual works] --- video art --- Hatoum, Mona --- Art, Modern --- Hatoum, Mona, --- Surréalisme --- Art, Modern - 21st century --- Hatoum, Mona, - 1952 --- -Hatoum, Mona, 1952 --- -Art --- Hatoum, Mona, 1952 --- -Hatoum, Mona, - 1952
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"L'oeuvre de Mona Hatoum, artiste britannique d'origine palestinienne, est internationalement reconnue. La grande exposition que le Centre Pompidou lui consacre à Paris prend la forme d'un panorama. Elle explore les thèmes et les supports de ses créations - performances, vidéos, dessins, photographies, sculptures et installations. Premier musée en France à l'avoir accueillie en 1994, le Centre Pompidou permet aujourd'hui au public de prendre la mesure d'un extraordinaire travail mêlant abstraction et réalisme poétique, engagement et minimalisme, singularité et universalité."--P. [4] of cover.
Installations (Art) --- Art, Lebanese --- Hatoum, Mona, --- Installations (Art) - Lebanon - 20th century - Exhibitions --- Installations (Art) - Lebanon - 21st century - Exhibitions --- Art, Lebanese - 20th century - Exhibitions --- Art, Lebanese - 21st century - Exhibitions --- Hatoum, Mona, - 1952 --- -Hatoum, Mona, - 1952- - Exhibitions --- -Hatoum, Mona, - 1952 --- -Installations (Art)
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Mona Hatoum, née en 1952 à Beyrouth et vivant actuellement à Londres, est l'auteur d'une œuvre marquante et diversifiée. Cet ouvrage retrace brièvement son itinéraire de 1983 à 1994, de la performance à la vidéo, pour aboutir aujourd'hui à l'installation. Ses travaux sont le croisement de préoccupations esthétiques, sociales et politiques. Elles dénotent une rencontre de deux cultures : l'orientale et l'occidentale. Trois auteurs cernent cette trajectoire : Desa Philippi, historienne d'art ; Nadia Tazi, écrivain, rédactrice et journaliste, et Jacinto Lageira, critique d'art. Cette œuvre, reconnue en Grande-Bretagne et en Amérique du Nord, reste à découvrir en France. (quatrième de couverture)
Video art --- Performance art --- Installations (Art) --- Hatoum, Mona --- Hatoum, Mona, - 1952-
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Mona Hatoum creates events, videos, sculptures and installations that relate to the body, to language and to the condition of exile. Her most famous work Corps Etranger, first shown at the Tate Gallery when she was nominated for the Turner Prize in 1995, takes the viewer on a journey through the inner passages of the artist's body. Her audience is thrown into a dimension in which anything is possible, as in The Light at the End, which lures viewers down a long tunnel towards a light that will literally burn them. While her video work is often visceral and emotive, her sculptures and environments are ultra cool and minimal in their aesthetic. They often mimic domestic or institutional furniture, yet their designs and materials have a threatening edge. Exquisitely beautiful, Hatoum's works are at the same time powerful evocations of statelessness, anxiety, denial and otherness. Since Hatoum was exiled to London, where she has lived and worked since the 1970s, she has exhibited her work around the world, including the Centre Pompidou in Paris and the Venice Biennale. This book surveys all her work, ranging from early performances, through to her videos, objects and full-scale environments. The distinguished art critic Guy Brett, author of Through Our Own Eyes: Popular Art and Modern History (1986), explores key themes around a sense of place, the body and communication that emerge from Hatoum's range of work. The artist describes a chronology of practice in conversation with Michael Archer, writer, curator and co-founder of London's Audio Arts sound archive. Director of the Kanaal Art Foundation Catherine de Zegher makes a complex and provocative analysis of Recollection, a work she commissioned for a sixteenth-century beguinage. Hatoum has chosen a text by the influential Palestinian author Edward Said as well as a statement from the noted Italian post-war sculptor and performance artist Piero Manzoni. The book also includes Hatoum's own notes, statements and interviews.
Hatoum, Mona --- Art --- Lebanon --- Great Britain --- video art --- Hatoum, Mona, --- Michael Archer, Guy Brett, Catherine de Zegher --- Mona Hatoum °1952 (°Beirut, Libanon). Leeft en werkt in London. --- Installaties ; performances ; beeldhouwkunst ; Mona Hatoum --- performances --- Palestinië --- Said Edward --- lichamelijkheid --- ballingschap --- 7.071 HATOUM --- Beeldhouwkunst ; beeldhouwers A - Z --- Kunstgeschiedenis ; 1950 - 2000 --- performance art --- assemblages [sculpture] --- furniture making --- installations [visual works] --- Iconography --- Film --- photography [process] --- Photography --- art [fine art] --- anno 1900-1999 --- Performance art --- Installations (Art) --- Art de performance --- beeldhouwkunst --- Groot-Brittannië --- Hatoum Mona --- installaties --- kunst --- Manzoni Piero --- twintigste eeuw --- video --- videokunst --- 7.038 --- 7.07 --- 73.07 --- Intermedia --- Mona Hatoum °1952 (°Beirut, Libanon). Leeft en werkt in London --- Videokunst --- Installation art --- Art, Modern --- Environment (Art) --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Ḥāṭūm, Muná, --- Criticism and interpretation. --- #breakthecanon --- Hatoum, Mona, - 1952 --- -Performance art --- Beeldhouwkunst --- Perfomances --- Kunst; 20ste eeuw --- Palestina --- -Hatoum, Mona --- -Installations (Art) --- art [discipline] --- Artists --- Book
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